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Lesson 55: Modal ThinkingThe Modes of the Melodic Minor ( Jazz Minor) ScaleThe modes of the melodic minor scale are:
Check out melodic minor ( Jazz Minor) scale harmony in lesson 54. Recommended Reading
For an extensive workout on the melodic minor ( Jazz Minor) scale and its modes, check out
What Is Modal Thinking?Many tunes that are not considered modal per se can be handled with modal thinking. By this I mean letting the root stay the same and changing the mode to fit the progression. Some people might like to call this approach "parallel modal common tone thinking"... You may want to check out The Advancing Guitarist by Mick Goodrick, pp. 62-66. Example 1: a generic jazz bluesLet's check out a jazz blues in C: |C7 |F7 |C7 | | |F7 | |C7 |A7 | |Dm7 |G7 |C7 A7 |Dm7 G7 | Let's apply the method of modal thinking to this progression: |C Mix. |C Dor. |C Mix. | | |C Dor. | |C Mix. | | |C Ion. | |C Mix. |C Ion. | Example 2: Cantaloupe Island by Herbie HancockNow let's check out Cantaloupe Island by Herbie Hancock. The changes of Cantaloupe Island are the following: |Fm | | | | |Db7 | | | | |Dm7sus4 | | | | |Fm | | | | Let's apply the method of modal thinking to this progression: |F Dor. | | | | |F locr#2| | | | |F Ion. | | | | |F Dor. | | | | Example 3: Re: Person I Knew by Bill EvansNow let's check out Re: Person I Knew by Bill Evans. The changes of Re: Person I Knew are the following: |C6/9 |C+add9 |F#+/C |Bbmaj7/C| |Fm7/C | |Cmadd9 | | |Fm7/C |Cmadd9 |Fm7/C |Bbmaj7+/C| |Fmmaj7/C|Bbmaj7/C|Abmaj7/C|Db/C | Bill Evans himself referred to Re: Person I Knew as "a 16-bar blues over a pedal note". Let's apply the method of modal thinking to this progression: |C Lyd. |A MelMin|C wt |C Mix. | |C Aeol. | |C Dor. | | |C Aeol. |C Dor. |C Aeol. |C lyd.b7| |C mix.b6|C Mix. |C Aeol. |C Phryg.| © 2005 Tomas Karlsson. All rights reserved. |